A Case for Support

Pyramid Theatre Company was founded in 2015 after a local theatre took a chance on Black Art. In an arts scene that was primarily focused on stories that didn’t feature Black Actors, Playwrights, Composers or Producers, the need to create a home in Iowa for Black stories to thrive was high.. Since then, Pyramid has done just that. New stories, old stories, both on stage and in creative spaces. Pyramid has uplifted Black storytelling in a way that has impacted the National Theatre Community. We have produced works such as “Mississippi Goddamn” by Jonathan Norton, that went on to see bigger successes in markets larger than ours. We have uplifted Black Playwrights such as Beaufield Berry. And, of course, produced our interpretations of classics such as August Wilson’s “Fences”.

In the presence of all this success there are obstacles preventing our work to move to the next level. Mainly, Pyramid’s administrative infrastructure was not set up for long-term sustainability. There are many responsibilities on the shoulders of just a few people, and over time, this has limited our efforts. We need to expand and grow, especially now that the community needs have shifted. We see that there is a bigger calling for this organization’s impact and we must adjust our infrastructure to prepare for what is needed while continuing to do the things we do great on a grander scale.

Pyramid has made it this far because of the unwavering support from our Black Community and our allies. The kind of support that mirrors the Black Church Community of the 1990s and Early 2000s here in Des Moines. When one church had a revival, or celebrated an anniversary, all the churches would come out and support. This extended to city-wide youth and adult programming for life support, wellness, career advancement, and elite training in the arts. Everyone benefited from this as a true community should; we build each other up.

As Pyramid approaches our 10-year anniversary we have dedicated ourselves to revitalizing our community efforts to help build each other up. To set up programs and institutions that help our community, so that we don’t have to press forward individually. That is the need of the Black Community in the Des Moines Metro area of the 2020s. We need to provide resources to our youth and skills that prepare them for the ever-changing workforce and declining economy. We need to provide wealth management skills to our working adults to fight the cycle of poverty in a system that continues to widen the socio-economic gaps. We need to continue to bring creative art and creative art management to this community to heal our souls and create more jobs so that our stories don’t die in a city that isn’t built to platform it. We need a family. We need to come together and truly stand on SANKOFA - taking the positive lessons our community predecessors put in place that allow us to gather and celebrate the community of today.

Thus, introducing Pyramid Theatre Company’s SANKOFA Campaign!


SAN - Return

KO - Go

FA - look, seek and take

Sankofa is an African word from the Akan tribe in Ghana. The literal translation of the word and the symbol is “it is not taboo to fetch what is at risk of being left behind.”

In layman's terms: The Sankofa symbol is a metaphorical bird that represents the importance of learning from the past to build a better future. The Sankofa symbolizes the Akan people’s quest for knowledge among the Akan with the implication that the quest is based on critical examination, and intelligent and patient investigation.


SANKOFA Capital Campaign

 

SAN

($1 - $1,000)

A gift that will allow us to RETURN to the current work that we are doing.

Two to three shows (with at least one new work in the season), small productions, etc.

 

KO

($1,000 - $2,500)

A gift that will allow us to GO to where we need. Community and Education efforts, and additional small-scale community productions.

    • “How to” Series: Mentorship for career advancement in the Creative Arts (non-performance careers)

    • Tutoring: Elementary to College-Level Weekly tutoring service

    • Creative Classes: Monthly Acting, Singing, and Dance Class Workshops

    • Gospel Cabaret: A monthly or quarterly musical event (featuring live poetry and other faucets of performance) hosted at different organizations in the community. The goal is to raise money for the hosting organization.

    • Community Church Performances: Co-Produce a show at a local church, where proceeds are donated.

    • Community Workforce Fair: An annual event that provides work and housing opportunities for the community.

 

FA

($2,500+)

Those who allow us to LOOK back on what we have, SEEK out what we need, and TAKE that into developments for today.

  • Fund Artistic Director, Producer, and Marketing Manager Salaries

  • Hire a Community Liaison, responsible for education and community efforts.

  • Fund event costs for SANKOFA Gala (August 2025)

 
 

The Goal: $100,000


(Expenses in 10's of thousands)



 

How to Donate:

Head to our Gively page to make your donation to Pyramid Theatre Company.

Your donation will help us meet our goal for 2025. Pyramid Theatre Company is recognized by the IRS as a 501 (c)(3) non-profit organization and thus all donations are tax deductible.

 

2024 Highlights:

    • Napoleon Douglas was hired as the new Artistic Director, stepping in to oversee the artistic and infrastructural vision of Pyramid. He stepped in after Tiffany Johnson ended her 9-year tenure with the Company. Tiffany still serves in an advisory capacity on the Board of Directors.

    • Alexis Davis who has been with Pyramid since its founding was promoted from Managing Director to Producer, where she is responsible for overseeing the administration for productions and programming.

    • Sarah Oyibo remains on as our Marketing Director. She is the Founder and Creative Director of Studio Delta Designs and has also been with Pyramid since its inception.

    • Iowa Wolves: Pyramid was a featured Organization during an Iowa Wolves Game, where we coordinated the singing of the National Anthem and Black National Anthem for the Game. In exchange, we were able to secure 25 tickets for our community to enjoy!

    • “Create Black History at DMACC”: Pyramid collaborated with DMACC Urban Campus to bring this brand new event where attendees experienced three main programs: a performance of “The Meeting” by Jeff Stetson,, a showing of Heart Health Docuseries by Heart 2 Heart (produced by INIKATAE’ Consulting), and a performance by the Bridges 2 Harmony Gospel Choir from Theodore Roosevelt High School. There was vendors with booths available for attendees to stop at throughout the event, and food and music were also provided.. The shows were free of charge (increasing accessibility to theatre for all) , but free will donations were accepted at the show for admission. All proceeds were donated to Iowa Juneteenth.

    • There were two showings of “The Meeting”, both followed by a Talk Back. This dynamic play tells of an imaginary meeting between Malcom X and Dr. Martin Luther King Jr. on Valentine’s Day in 1965. Set a week before Malcom X was killed, their discussion in a Harlem hotel highlights the differences between their beliefs and approach to fighting for civil rights.

    • This was the first-time showing of the Heart Health Docuseries by Heart 2 Heart. In this poignant feature, five Black Iowans share their personal stories and heart health journeys, and clinicians also provide their input from a medical standpoint..

    • Emancipation Day at Living History Farms: Pyramid co-produced Living History Farms’ Annual Emancipation Day. In addition to their regularly scheduled “Sweet Potato Pie Social”, Pyramid wrote and produced a staged reading that featured The Langston Hughes Players of Des Moines and Living History Farms Interpreters. The program concluded with music provided by a 7-member praise team and 5-piece band, and a Keynote Speech by Deidre DeJear, former Democratic Nominee for Governor of Iowa.

    • “The Black Feminist Guide To The Human Body” by Lisa B Thompson: We produced a new work titled “The Black Feminist Guide To The Human Body” by Lisa B Thompson, in a rolling world premiere with The Vortex Theatre (Austin, TX), Fusebox Festival (Austin, TX), The Lorraine Hansberry Theatre (San Francisco, CA), and commissioned by the National Performance Network.

    • The play shows the duality of Black Women: how we exist in difference spaces and times in our lives, and shares secrets of the soul that we keep hidden, giving an empowering message that you don’t want to miss.

    • This show was a “Choreo-Poem” using multimedia for the production. Projections and coordinated music.

    • Many community efforts were involved with this show. We engaged our community on social media to nominate Black Women of the Community to be featured both in the rolling projections in the show, and with a full bio on our social media platforms. We also were able to secure a sold out house through Courageous Access, LLC, and the Iowa Department of Health and Human Services, that brought in over 150 Black Women for a private showing of the performance.

    • Alexis Davis won Best Performance in a Featured Role in a Play for her performance as “Cee Cee” in “The Black Feminist Guide to the Human Body”

    • Toné Cheré won Best Performance in a Featured Role in a Play for her performance as “Dee” in “The Black Feminist Guide to the Human Body”

    • The Full Cast of “The Black Feminist Guide to the Human Body” was nominated for Best Performance by an Ensemble in a Play

  • Nicole Bartolozzi was chosen to be Chair of the Board of Directors. She has served on the Board for over a year and was elected by a unanimous decision.

    • “The Last Stop on Market Street” by Cheryl L West: Pyramid co-produced “The Last Stop on Market Street” with The Des Moines Playhouse and City Voices. This show was the inaugural performance in the Playhouse’s newly constructed Kate Goldman Children’s Theatre. There were also many community initiatives employed.

    • The cast platformed many performers who graced the Playhouse stage for the first time, including past and present students of City Voices - a Community Centered Music Education Program that provides free music instruction to underserved students in the Des Moines Metro Area. Over 50% of the cast were from City Voices. City Voices also was the main music partner of the endeavor, where Mary Anne Sims - Executive Director - lead the live recording efforts for all the tracks used in the show. The tracks were recorded at City Voices Studios, engineered by City Voices Teaching Artist Dang Felton (a local artist).

    • Indigo Moore - a local painter - had her work featured in the show. She painted a large mural that had elements that were referenced in the script. This is the first time an artist of her kind has been featured in a Pyramid or Playhouse production.

    • We toured this show at three locations:

    • Corinthian Baptist Church - this performance was special because it was free of charge (creating accessibility to the show for a larger community) and we had a community dinner prior to the show, where Playhouse, City Voices, and Pyramid staff members served the community a free meal. There was a program before the show that showcased the Corinthian Baptist Church Youth Program, and an upcoming performance of “Amahl & The Night Visitors” that is a co-production between Corinthian Baptist Church and Plymouth Church of Des Moines.

    • Two DMPS Elementary Schools: Phillips Elementary of Des Moines East Side and Moulton Elementary of Des Moines West Side. These are two schools that normally don’t have the resources to send their students to the Playhouse for their student performances, so we brought the show to them!

    • Show description: “Guided by his veritable force-of-nature Nana, CJ travels a little closer to his roots and sees that things are not always what they seem. Based on the Newbery Medal-winning book and with a spectacular, spirited score by Motown legend Lamont Dozier and his son Paris Ray Dozier, you’ll find yourself dancing in your seat as you enjoy this vibrant story about connecting to your community.”


About Pyramid Theatre Company:

Pyramid Theatre Company is a non-profit organization and Des Moines’ only Black Theatre. Since 2015 Pyramid has proudly presented and produced the works of Black playwrights to the local community. The mission of Pyramid Theatre Company is to provide a gateway to the arts for the Des Moines community by illuminating the presence of Black artists in the theatre canon and providing a means of artistic expression to emerging Black voices.